This weekend we honour Human Rights Day in South Africa. Although human rights cover so many areas that are an ongoing global challenge, today I am exploring the role that music played during the 46-year-long apartheid regime that cruelly divided our nation. It is an interesting, if uncomfortable, topic that covers a very dark area of our history. To imagine what kind of country South Africa would be had apartheid not happened is in the realm of speculation, but this misguided system of racial segregation did manage to produce some memorable music.
I’m staying local to finish off the week with a band that emerged in 1995. Broadly speaking, Egyptian Nursey could be regarded as South Africa’s original Trip-Hop outfit, and although they only released one album, went on to influence a number of acts to follow. Considering the nationalities of the members, there is often debate as to if they can be considered South African? Whichever side of the fence you sit on this topic, listeners and critics adopted them as ‘ours’ on the first hearing.
I was recently asked to repost an article I wrote early last year about a South African band that has always fascinated me, Falling Mirror. Being formed in the late 70s, they fit perfectly into the mish-mash of musical styles and cross-overs that the era started to produce.
I was taking a look at some of the original stories behind some of our most popular songs recently and realised that the subject was far too big for a three-part feature. There are far too many great examples. I’ve decided to turn this ‘strange beginnings’ idea into a main feature and select a couple of extracts for the Facebook page and group.
I posted a brief glimpse behind the band, The Guess Who, early last year and I think it time to look a little deeper into the band that was regarded as the Beatles of Canada. With names such as Burton Cummings and Randy Bachman as key members, you can be assured of an interesting dip into musical history today.